Sunday, July 21, 2019
Significance of Evidence Based Practice in Nursing
Significance of Evidence Based Practice in Nursing Nursing is a profession accountable to society for providing high quality cost-effective care for patients and their families (Burns Grove, 2007). This assignment will define evidence based practice and its significance in the nursing process. In addition, it will critically analyse the research article Community Psychiatric Nurses experience of working with people who engage in deliberate self harm carried out by Thompson et al (2008). Furthermore it will define Hierarchy of Evidence and its importance in research studies. A clinical question has been formulated using Population, Intervention, Comparison and Outcome (PICO) and the key words in the article to search for another article which support or contradicts the main review article. Brown defines evidence based practices as the use of the best quality research to deliver an effective quality of care in the best interest of the patient as well as promoting cost effectiveness within the healthcare system (Brown, 1999). In order for health care professionals to deliver the best quality of care, they need to use the combination of evidence based clinical treatments and practices (Lindsay, 2007). Evidence based knowledge is important as it guides and maintains the clinical competencies of health care practitioners and provides a research based explanations to assist patients in the process of clinical decision making (Burns and Grove, 2007). According to Ciliska et al (2005), the skills necessary to provide evidence based solution to a clinical dilemma includes defining the problem, conducting the effective research to locate the best evidence, critically appraising the evidence and considering that evidence and its implications in the context of patients circumstances and values. Research into the experience of community psychiatric nurses working with people who engage in deliberate self-harm was carried out using the qualitative research design, as it is primarily concerned with understanding human beings experiences in a humanistic, interpretive approach (Ronald et al, 2007). The purpose of the research was to understand CPNs experience while they are working with people who deliberately self-harm. In this research it was found suitable as it relies less on non numerical data. A study by Playle (2000) suggest that readers need to read, critically study and evaluate a research article to demonstrate their understanding of research and to identify implications for practice. In this study, Tarling and Crofts (2002)s framework and The Critical Appraisal Skill Programme (CASP) accessed on http://www.phru.nhs.uk/Pages/PHD/CASP.htm has been used to review the strength, credibility, validity and weakness of the above study. The title Community Psychiatric nurses experience of working with people who deliberately self-harm is clear, concise and informative as it reflects the contents of the whole study. Informative titles are important in research process as it allows the reader to identify the research approach (Roe and Webb, 1999), however the title does not reveal the approach which may be seen as a weakness (Dempsey and Dempsey, 2000). The authors of this article are qualified professional with clinical and psychological expertise as well as experience of working with people with mental health problems as Dempsey and Dempsey (2000) suggests that authors should be qualified to carry out a research study and their qualifications should be verified if need be. This may be seen as powerful, hence reliability and credibility of this article is not questionable as they will be perceived as professionals with clinical credibility to eliminate bias (Hoskins et al, 2005). However it can be argued that the community psychiatric nurses had not undertaken psychotherapy training although they had a minimum of eighteen years of experience (Thompson et al, 2008). The abstract is short, brief and concise. According to Parahoo (2006) a research report should begin with an abstract which summarises the major findings of the study as well as attracting the readers attention to read the whole research article thus adding credibility and validity to the report. Lack of clear summary may be seen as a weakness as readers may lose interest in reading the whole article as it may fail to express the important information about the study (Morrison, 1992). According to Newell Burnard (2006), an introduction should clearly define the key words and stating the purpose of the research. This study clearly explains in detail what is meant by deliberate self-harm and yet there is little research into the actual experience of working with people who deliberate self-harm (Thompson et al, 2008). The research used Interpretative Phenomenological Analysis (IPA), which allowed an in-depth exploration of individual personal experience, underpinning the theory of interpretation and interaction which focuses on individuals experiences to the central concern and can only be accessed through IPA (Smith, 1995). According to Streubert and Carpenter (1995), Interpretative is the understanding of life experiences and events and Phenomenology is the appearance of things as lived experiences. This may be seen as strength as it is fundamentally important, as without knowing exactly how the study was carried out, it is difficult for the reader to judge its strengths and weaknesses (Gillis, 2002). In this study, the researchers and the participants were all from the North of England thereby eliminating the theory of ethnography which requires the investigator to learn about a culture and be part of it (Burns and Grove, 2007). The participants were made up of four male and four females from t he community mental health teams who had an average age of forty years and eighteen years of experience of working with people who engage in deliberate self -harm. The researcher did not explain why different age groups did not participate or other ethnic minority groups which limited their findings. For the purpose of this study, a purposive (participants with a specific characteristics (Lindsay, 2007) sample was recruited. According to Parahoo (2006), sampling is important in qualitative research as it seeks to collect valid and reliable data from a small division of the population that would be representative of the whole population. This showed to be suitable to the study which may be seen as reliable and valid although, it can be argued that sampling method may produce biased results. It may be seen as a selective method to fulfil the aims of the study (Streubert-Speziale Carpenter, 2007). Data was collected through semi-structured interview and open-ended questionnaires according to IPA (Smith, 1995). The interviews lasted for forty five minutes to an hour which was guided but did not dictate the exact course of the interview. This was chosen in order to allow the interviewees to talk freely to explain their thoughts and experiences. The method accessed the participants natural attitudes and understanding of deliberate self harm. This enabled certain responses to be questioned in greater depth, while collecting similar data from all the informants as well as creating a relaxed comfortable environment for the interviewees, (Holloway and Wheeler, 2002). However it can be argued that it is a time-consuming method, not just the collecting of the data, but the transcribing and analysis of the data. There are risks of interviewer bias as face to face interviews often require training, (Parahoo, 2006). All interviews were recorded and transcribed verbatim. According to Holloway and Wheeler (2002), researchers must preserve participants words as accurately as possible before analysing the data. The researchers had a chance to replay the tapes several times to improve the quality of the transcripts. The transcripts were then analysed using IPA principals (Smith and Osborn, 2003). The researcher read the transcripts to familiarise with the data, noting down the key words and phrases said by the participants, thus summarising the sample (Rowntree, 1991). The notes were classified in more general term to form initial themes to try and capture the essence of the participants accounts which were then copied to a computer program which assisted in managing connections between the emerging themes but no direct analysis was made. According to Morse and Field (2007), transcripts from different informants should be compared categorised and coded into substantive themes and sub-themes to produce a high degree of interpretation and integration. A master list of themes and subthemes was then produced for transcript which contained a degree of interpretation and integration. The process was repeated on every interview to maintain consistence of data analysis as suggested by Burns and Grove (2007). The themes were highly developed and compared to original text as Speziale Streubert and Carpenter (2007) suggests that researchers needs to move forward and backward between levels until saturation is achieved to ensure a comprehensive understanding of the phenomena. A table was produced for each theme indicating the sub themes and identifying where each transcript could be evidenced. Different methods were employed to ensure trustworthiness and the master themes audited by the three authors including an independent researcher to ensure that themes were warrantable and grounded in the data. Although the researchers have carefully considered how to ensure validity of the study, it is noted that the findings were subject to limitations as all the nurses were experienced white British, limiting the applicability of nurses from other ethnic origins or trained in other countries. In addition, it is a small study based in a small geographical area which limits reliability as well as the generalizability of the results (Meadows, 2004). There is also evidence that there may be differences in assessment practices between different professional groups and different levels of experience, (Weston, 2003). Furthermore, the findings are based on reflective accounts of the experience of working with patients, who self-harm and may therefore be subject to memory bias, (Thompson et al, 2008). The authors recommends further studies to explore the extent of experiences and evaluate further interventions to improve professional awareness of deliberate self-harm as well as training for nurses to provide high standards of care as suggested by NMC (2008). The researcher sought approval from the NHS (National Health Service) ethical and research government as suggested by Parahoo (2006) thus adding credibility. However the research does not specify if consent, was sort from the participants which may appear as a weakness as it important to respect for autonomy and beneficence (Polit and Beck, 2006). Ensuring of confidentiality NHS (2008) of information discussed, was not addressed to the participants before the research was carried out which may have led to withholding of important information which would affect the validity of the report (Clifford, 1997). This can be seen as a weakness in the research. Hierarchy of evidence is the ranking of research methods according to their effectiveness, strength and weaknesses (Ciliska et al, 2005). In the healthcare system, depending on its source, some research methods are considered to be stronger and produce better quality evidence than others hence credibility, reliability and validity differs (Lindsay, 2007). According to Polit Beck (2008), qualitative research falls on level V because of its systematic descriptive of psychological studies Craig and Smyth (2002) suggests the use of PICO (systematic way to identify important ideas in a research article), in formulating a clinical question in health care. P is Population which was Deliberate Self harm I is Intervention which was Not Applicable C is Comparison which was Not Applicable O is Outcome which was CPN experience. To search for the second article clinical question has been formulated using PICO. The following link was used to access the article. Student Portal Log In my studies summon type in key words Go Button. The search was carried out using the key words, CPNs experience in deliberate self harm in all fields and 310 articles were retrieved. The search was limited to product content journals only which retrieved 306 journals. The search was further limited with the number of years from 2009 to 2010 which yielded 35 journals articles. Among the articles, Analysis of Accident and Emergency Doctors Response To Treating People Who Self-Harm was retrieved and read through which supported the reviewed article adding to its strength, validity and credibility. A study by Craig Smythe (2002) suggests the search of electronic database as a method of finding research studies as all journals have indexes that have been converted to electronic databases. The University subscribe to Summon which can be accessed freely by all students which makes it easier to search articles for educational purposes. In conclusion, evidence based knowledge is important in implementation of cost effective nursing intervention and therefore it is the responsibility of health care professionals to critically analyse any piece of evidence for credibility, validity, reliability and its source, in clinical decision making (Brown ,1999). They also have a legal and professional responsibility under the Human Rights Act 1998, Health and Safety 1974, The Consumer Protection 1987 as well as The Duty of Care (NMC 2008).
Saturday, July 20, 2019
Perceptions Of Rape And Sexual Assault Sociology Essay
Perceptions Of Rape And Sexual Assault Sociology Essay Through the course of this essay Irina Andersonà ¿Ã ½s research into rape perception will be critically analysed. This essay will firstly summarise the research and then go through each hypothesis, the methodology employed and the ideas put forward within the discussion will be assessed due to their respective strengths and weaknesses. In addition to this there will be a section commenting on the place of this research within rape research at large. Some of the problems associated with results of this research and the conclusions drawn from it will be looked at also. Finally suggestions on ways to overcome these problems will also be investigated. As this analysis takes place within the context of Social Psychology Andersons research will thus be viewed through the lens of theories relating to attitudes. This was first put forward by Allport who defined attitudes as à ¿Ã ½A mental and neural state of readiness, organised through experience, exerting a directive or dynamic influen ce upon the individualà ¿Ã ½s response to all objects and situations with which it is relatedà ¿Ã ½ (Allport,1935 p.810). due to the gendered nature of rape perception this research is much needed in building a frame work for how rape is seen by the public. The abstract is very clear and to the point and succinctly condenses the research. The three hypothesises under investigation are what is the current perception of female rape, whether this perception is applicable to male rape or are there elements of cultural lag in male rape. Despite previous research it was found that these hypothesises were proved wrong during the study During the introduction these foundation of the hypothesises under investigation are laid. It was found that past research had shown that female rape was most commonly seen à ¿Ã ½stranger rapeà ¿Ã ½. The Stranger rape stereotype (SRS) is a script which constructs rape as occurring between two people who do not know each other, the act usually happens at night with the à ¿Ã ½struggling victim subduedà ¿Ã ½, etc. However studies have shown that contrary to this scenario the vast majority of female rapes 78-84% (Gavey 2005, Koss 1988) are committed by males known to the victim this disparity between official statistics and public perceptions is part of the basis of this study. It is argues that changes in rape perception, brought on by demystifying of rape myths by the media , the breakdown of gender roles and reports which suggest that a broader definition of rape is being used have combined to contribute to the complete rejection of the traditional SRS paradigm into that of ac quaintance rape. Though Gavey p 17-49 has examined the move away from traditional stranger rape paradigm, especially from the 1970à ¿Ã ½s onward, a complete reversal of public thinking does not seem to be completely supported. However as participants within this study were asked to à ¿Ã ½generate their own lists of informationà ¿Ã ½ it was expected that an answer to this question would be found through the course of Andersons research. One of the most important points that can be drawn from the introduction is what seem to be a lack of research following on from Kahnà ¿Ã ½s work regarding a concrete separation of and definition of public attitudes to the differences between acquaintance rape and seduction (Kahn 2004). The overlap between these terms as outlined by Kahn may lead to general confusion and it may be argued that without a clear differentiation between these terms present research into the conceptualisation of female rape may be hampered. In order to address these questions, this current research is vital is analysing what a female rape will be conceptualised as. The results pertaining to the first hypothesis are analysed within the discussion section, which is the well structured and logical it begins by addressing the first findings regarding the first hypothesis was directly contradicted by the results of the experiment. It is well argued that a possible reason for this opposition was due in part to the problems à ¿Ã ½blame attributionà ¿Ã ½ where by participants described scenarios in which the victim would be less likely to à ¿Ã ½invite societal blameà ¿Ã ½. From this analysis the issue of societal blame appears to be highly salient in rape perception. Moreover in descriptions of a typical rape Anderson asserts that respondents appear to convey scenarios in which no level of blame may be attached to the victim and suggests that further research should concentrate on whether participants are describing what they see as the reality of typical rapes or if other factors, namely blame attribution play a part in the results. Research c learing up this ambiguity would do much to further the study of public rape perception. The second intention of Andersonà ¿Ã ½s research is to ascertain whether or not male rape is seen along the same parameters as date/acquaintance rape in females. It is stated that due to a lack of data concerning male rape cause by low report rates and the propagation of rape myths and misconceptions that the research into the public perception of male rape has in not been given the attention which it deserves . From the information gathered in previous in previous studies (Donnelly and Kenyon 1996) it has been hypothesised that if the current opinion of female rape is characterised within the parameters of acquaintance/date rape and that male rape is more commonly seen within the older SRS model. The second part of the discussion directly deals with the results relating to this hypothesis. From the analysis undertaken female rape may still be generally seen along the lines of a à ¿Ã ½stranger- acquaintance rape continuumà ¿Ã ½. However the results show that male rape is viewed along completely dissimilar lines to female rape. From these findings Anderson argues that à ¿Ã ½male rape perception may be characterised by (a) erroneous and mythical perceptionà ¿Ã ½. These other factors include descriptions of the act of rape, the relative strength of the perpetrator and victim, sexual orientation and the motivation of the rape being sexual urges [rather than power related]. The fact that some of the factors attributed to male rape include homosexuality and that homophobic belief The hypothesis of the à ¿Ã ½cultural lagà ¿Ã ½ of male rape was however not supported during the course of the research. Finding show that male rape does not lag behind female rape, rather à ¿Ã ½otherà ¿Ã ½ factors not found the SRS/AR models were drawn upon when conceptualising male rape. These à ¿Ã ½otherà ¿Ã ½ factors make up a fourth hypothesis in the method section were not previously mentioned within the introduction or hypothesis summary. The failure to include this fourth hypothesis previously, which directly addresses the à ¿Ã ½otherà ¿Ã ½ factors associated with male rape appears to be an oversight. However though it is very useful in helping to make sense of the data as a whole, the late formulation, or at least labelling of this as a hypothesis, subverts the initial aims of the experiment and calls into question the validity of the data coded within this section. The inclusion of this section also further widens the scope of this limited study. Considering the limited data which may be collected from such a small (119 people) and highly privileged sample of the population. In light of the three main interconnected hypothesises the extension to a fourth hypothesis principally concerned with factors initially outside the experiments design leads to a true weakening of this study. Though this data is well coded and analysed, there can be no doubt that this section places strain upon the method section of this study as a whole. The third intention of this current research is to analyse the differences of response between male and female respondents. All previous studies which consider male and female attitudes to rape have shown a strong divergence between attitudes along the gender divide. This it is argued is unsurprising due firstly the fact that men generally have less knowledge about or contact with rape, and secondly due to the fact that à ¿Ã ½historically been the victims of violence while men have been the perpetratorsà ¿Ã ½. In agreement with this it is demonstrated that men more often agree than disagree with rape myths, empathise less and à ¿Ã ½hold less tolerant attitudes towards victims (Jiminez Abreu,2003) In addition to this Andersons previous research has found that men possess more homophobic attitudes that women in regards to male rape. This is backed up solidly by previous research, which in summery states that as men experience rape less and that as the issue of rape is less promi nent within the male consciousness. Men will extrapolate their knowledge of female rape, to a male scenario along the SRS paradigm. In drawing out the reasons for the predominance of factors such as homosexuality and homophobia associated with male but not female rape Anderson puts forward several reasons as to why this may be the case, the first is that participants may simply be à ¿Ã ½expressing their disgust at this actà ¿Ã ½ (Davies, 2002). Secondly use homophobic language as a means of distancing the participants from the victim so at to keep their à ¿Ã ½masculinity intactà ¿Ã ½ and to also remove the possibility that they (the male participants ) could themselves be raped. This is a very interesting point which is well argued and is a convincing analysis of the data presented. The recommendation given for further research investigating the connection between sexuality and homophobia in relation to conceptualizations of male rape and the blame attributed to victims is well founded and may go some way in explaining why these factors have gained such prominence in this research. Through course of critically analysing the current research many issues of importance have become apparent. Firstly any research which furthers the field of rape perception is of huge importance. It is also of paramount importance to educating the public at large about the predominant trends of rape within society. With regard the article under review some very important questions have been raised by this study. The fact that all but one of hypothesis has been proved false may be seen in part as a cause for alarm. This is particularly evident in the case that female rape perception has seemed to have lost its cultural lead over supposed paradigms of male rape. This calls for a reassessment of assumptions that female rape is typically seen within the AR framework. Secondly the fact that male rape is not seen either as SRS or AR and is viewed in often homophobic terms may be interpreted differently than to Andersons theory that homophobia is a form of distancing on the part of male par ticipants, it may be interpreted as evidence that homophobia is much more prominent in society than previously assumed. The difference between male and female respondents has not been clearly addressed either, it seems from previous research that more than ever there is now a pressing need to educate males within society about the various aspects of rape. From analysing this research it seems that very little was confirmed or disproved about rape attitudes and perceptions, this research has in turn raised more questions than it answers. In conducting future research it would be advisable to approach one hypothesis at a time, using a much larger sample of the population. In addition to this a more careful use of wording of research questions may also benefit future studies, for example the question what are the predominant circumstances of a male/female rape may address the hypothesis more clearly than the use of the phrase à ¿Ã ½typicalà ¿Ã ½. This leads us to ask further questi ons about the problematic nature of this type of research. Andersonà ¿Ã ½s current research acknowledges some of the shortcomings of the present study including the fact that the research participants used for the study were from a student population, despite this acknowledgement it would be naive to generalise these findings due to the particularities associated with a student sample to the population at large. Some of the main problems associated with using a student population for this type of are that as supported by the research that rape may be an issue generally held in the student consciousness. Secondly the predominantly young age participants, mean age 21.2, could perhaps play a large part in how rape is conceptualised. This is especially important considering that the age group of these students suggest that they have been brought up within the AR framework. A larger study would show how the population at large conceptualise rape. It can be argued that perhaps even previously un-theorised concepts of rape may be found as a resul t of such a study. It would also be of great interest to investigate what the current perceptions of marital/partner rape is. Another important factor which à ¿Ã ½may have affected findingsà ¿Ã ½ is that up to 34% of the participant were from ethnic minorities. Anderson argues that this factor may have altered the outcome of the study. It may however be argued that the inclusion of ethnic minorities may in fact give the present study a higher degree of validity and allow this research to be generalised. Regardless of the supposed à ¿Ã ½less tolerant perceptions of rapeà ¿Ã ½ within minority communities (Nagel, 2005), the hypothesised informed attitudes of the student population appear to be unfounded. This finding adds to the overall confusion of the results presented. At present it is impossible to say whether the inclusion of these minorities have lead to a substantial change in the findings of the survey. Further studies along the lines of Nagelà ¿Ã ½s research are to be suggested. This work should concentrate on the questions of race, ethnicity and class should be dealt with as a means of aidi ng the understanding of rape perceptions in the public at large. In conclusion the current body of research into rape perception is clearly lacking. The findings of some previous research which are not supported by this study are a serious problem which must in due course be addressed. Furthermore Andersons unsupported hypothesises clearly show the need for further and more directed research into the area of public rape perceptions. Some interesting points were brought up which also require further research, most importantly the fact that female rape perception is still categorised along the lines of SRS rather than AR. In addition to this the evidence produced regarding the à ¿Ã ½otherà ¿Ã ½ factors associated with male rape also warrant investigation. Andersonà ¿Ã ½s suggestion that further studies concentrating on blame attribution is a logical and well reasoned course of action and is highly advisable. In summery past and present research has shown gaps in the understanding of how the public view rape scripts. This research has done much to highlight this problem. It can only be hoped that further research and public education can lead to an increased awareness and understanding on the topic of rape.
Adolescent Peer Pressure :: Peer Pressure Essays
Between the ages of twelve and nineteen is a period in a teenager's life that determines what kind of adult he or she will become. This period of adolescence, also known as the "formative years", is the subject of much study and research to determine why adolescents are vulnerable to the phenomenon called peer pressure. The disturbing number of incidents of teenage drug use, teenage pregnancy and teenage suicide is most assuredly the reason that fuels the need for such research. Perhaps it is because as children they are taught the importance of having and maintaining friends. Or perhaps they don't feel that they can talk to their parents or teachers when problems arise. Or maybe they simply want to rebel against the pressures placed on them as youths. Because adolescents spend their time either at home or in school, it is within these confines that the answers to adolescents' behavior lay. In other words, family and school can sometimes cause adolescents to give in to peer pressure because of an overemphasis on the importance of social adjustment, a lack of interest or communication on the part of the parents and teachers, and the unrealistic expectations that these entities create. Although the purpose of attending school is to receive an education, it also provides children with a medium through which they can develop relationships with other children that eventually turn into friendships. The ability to form friendships can be traced back to even the pre-school years and its importance henceforth emphasized by eager parents who want their children to fit in at school. "Interactions with friends or other peers are crucial for the development of a mature morality." (Juvonen, p.11) Most would agree that social interaction is important but sometimes parents are guilty of over-emphasizing this importance. Let's recall the numerous birthday parties where every child in the neighborhood was invited to come regardless of whether or not they were actual friends. This desire to socialize children also occurs in the classroom at school. "The classroom setting represents not only an educational arena but a powerful social context in which the psychological adjustment of children and adolescents can be affected."(Juvonen, p.248) Teachers tend to promote social interaction by assigning exercises that require working in pairs or groups. Furthermore, when a teacher spots a child playing alone, they will encourage him or her to join the other children while overlooking the possibility that the child might have preferred to be alone.
Friday, July 19, 2019
AA Meeting :: essays research papers
Open AA meeting Since this was my second AA meeting, I was still open but didnââ¬â¢t know what to expect. The last meeting was at a church is an African American neighborhood. To get a different experience I wanted to change the nationality. So even though I was a little nervous I decided to attend a meeting in Ridgewood, Queens. It was still at a church however the population consisted of Caucasian. When I came into the room, everyone looked at me, however this was expected because I was the only African American in the room. The meeting started with a prayer and then everyone introduced themselves to each other. The issue that most concerned me was that half of the people in the room was younger than 25 years of age. That let me know right there that this was a global issue and not a issue concerning one race. As one of the young men began to share his story, I almost began to cry. He grew up in a household in which his father was an alcoholic and also was very abusive towards his mother. He sh ared with us that after his father used to beat his mother, he and his dad use to drink together. Therefore he drank with his father 3 times out of a week. As sad as it may sound he looked forward to his father beating his mother because he liked to drink. So that is how he began with his father and that was at the age of 12. He was now 24 and a alcoholic and he began to see the traits of his father in him. Therefore he needed to get help and that was the reason why he came to AA. Another person that touched me was a young girl who was 18 who wanted to be in the crowd. She began to drink because all of her friends drank however she was not able to control her and her drinking. She stated to us that on numerous occasions from being drunk that she was raped. It was sad because a lot of people want to be in the crowd and that is how they get hooked.
Thursday, July 18, 2019
Last Sacrifice Chapter Twenty-five
WE COULD ALREADY HEAR footsteps thundering through the house and knew we were seconds from the army downstairs heading up to the second floor. The three of us backed away, and to my surprise, it was Sydney who reacted first. ââ¬Å"Get out. I'll distract them.' Her distracting them would probably just mean momentarily blocking their way until they pushed her aside, but those extra seconds could make a huge difference. Still, I couldn't stand the thought of abandoning her. Dimitri had no such reservations, particularly when we heard feet on the stairs. ââ¬Å"Come on!' he shouted, grabbing hold of my arm. We raced down the hall to the farthest bedroom, Victor and Robert's. Just before we entered, I yelled back to Sydney, ââ¬Å"Get Jill to Court!' I don't know if she heard because by the sounds of it, the guardians had reached her. Dimitri immediately opened the room's one large window and looked at me knowingly. As always, we needed no vocal communication. He jumped out first, no doubt wanting to take the full brunt of whatever danger waited below. I immediately followed. I dropped onto the first floor's roof, slid down it, and then made the longer drop to the ground. Dimitri caught my arm, steadying my landingââ¬âbut not before one of my ankles twisted slightly in on itself. It was the same one that had taken the brunt of the fall outside Donovan's, and I winced as pain shot through me, pain I then promptly ignored. Dark figures moved toward us, emerging from evening shadows and hidden spots around the backyard. Of course. Guardians wouldn't just come busting down a door. They'd also have the place staked out. With our natural rhythm, Dimitri and I fought back-to-back against our attackers. Like usual, it was hard to incapacitate our foes without killing them. Hard, but necessary if we could manage it. I didn't want to kill my own people, people who were just doing their job to apprehend fugitives. The long dress didn't do me any favors either. My legs kept getting caught in the fabric. ââ¬Å"The others will be out any minute,' Dimitri grunted, slamming a guardian to the ground. ââ¬Å"We need to moveââ¬âthere. That gate.' I couldn't respond but followed his lead as we made our way to a door in the fence while still defending ourselves. We'd just taken out the backyard squad when more spilled from the house. We slipped through the gate, emerging onto a quiet side road flanking the Mastrano house, and ran. It soon became clear, however, that I couldn't keep up with Dimitri. My mind could ignore the pain, but my body couldn't make my injured ankle work properly. Without missing a beat, Dimitri slid his arm around me, helping me run and take the weight off the ankle. We turned off the road, cutting through yards that would make it more difficultââ¬âbut not impossibleââ¬âfor them to track us. ââ¬Å"We can't outrun them,' I said. ââ¬Å"I'm slowing us down. You need toââ¬âââ¬Ë ââ¬Å"Do not say leave you,' he interrupted. ââ¬Å"We're doing this together.' Snick, snick. A flowerpot near us suddenly exploded into a pile of dirt and clay. ââ¬Å"They're shooting at us,' I said incredulously. ââ¬Å"They're actually shooting at us!' With so much hand-to-hand training, I always felt like guns were cheating. But when it came to hunting down a queen-killing murderer and her accomplice? Honor wasn't the issue. Results were. Another bullet zinged by, dangerously close. ââ¬Å"With a silencer,' said Dimitri. ââ¬Å"Even so, they'll be cautious. They don't want the neighborhood thinking it's under attack. We need cover. Fast.' We might've been literally dodging bullets, but my ankle wouldn't last much longer. He made another sharp turn, completely immersing us in suburban backyards. I couldn't look behind us, but I heard shouting voices that let me know we weren't free yet. ââ¬Å"There,' said Dimitri. Ahead of us was a dark house with a large glass patio reminiscent of Sonya's. The glass door was open, though a screen blocked the way inside. Dimitri tugged on its latch. Locked. But a screen was hardly a deterrent for us. Poor, trusting family. He took out his stake and slashed a long, vertical line that we hastily slipped through. Immediately, he jerked me to the side, out of view. He put a finger to his lips, holding me close to his body, shattering me in his warmth. Seconds later, we saw guardians coming through and searching the yards. Some kept moving on in case we'd run farther. Others lingered, investigating places that made good hiding spots as the evening grew darker and darker. I glanced at the screen. The cut had been clean, not an obvious hole, but it was still something our pursuers might notice. Sensing this as well, Dimitri carefully moved off into the living room, doing his best to avoid windows and keep out of sight. We cut through to the kitchen and found a door leading to the garage. In the garage was a red Ford Mustang. ââ¬Å"Two car family,' he murmured. ââ¬Å"I was hoping for that.' ââ¬Å"Or they're out for a walk and about to come home when they notice a SWAT team in their neighborhood,' I whispered. ââ¬Å"The guardians won't let themselves be seen.' We began searching for obvious key locations. At last, I found a set hanging on the side of a cupboard and scooped them up. ââ¬Å"Got ââ¬Å"em,' I said. Since I had the keys, I think Dimitri actually would have let me jump into the driver's seat. Thanks to my right ankle, however, I had to toss him the keys. The universe had a sick sense of humor. ââ¬Å"Will they spot us in this?' I asked, as Dimitri opened the garage door and backed out. ââ¬Å"It's, uh, a bit flashier than our usual stolen car profile.' It was also awesome. Sydney, car geek that she was, would have loved it. I bit my lip, still guilty that we'd left her behind. I tried to push the thought out of my head for now. ââ¬Å"It is,' agreed Dimitri. ââ¬Å"But other cars will be driving down the street. Some guardians will still be searching the yards, and some will be guarding the Mastranos. They don't have infinite numbers. They can't watch everything at once, though they'll certainly try.' I held my breath anyway as we drove out of the subdivision. Twice, I thought I spotted stealthy figures by the side of the road, but Dimitri was right: they couldn't check every car in a busy suburban neighborhood. The darkness also obscured our faces. Dimitri remembered the way we'd driven in because a few turns later, we were merging onto the freeway. I knew he had no destination in mind, except foraway. With no obvious indications that we'd been followed, I shifted my body and stretched out my throbbing leg. My chest had that light, nebulous feeling you got when too much adrenaline was pumping through you. ââ¬Å"They turned us in, didn't they?' I asked. ââ¬Å"Victor and Robert called us in and then took off. I should have kept watch.' ââ¬Å"I don't know,' Dimitri said. ââ¬Å"It's possible. I saw them just before I talked to you, and everything seemed fine. They wanted to go with us to find Jill, but they knew it was only a matter of time before we turned them over to the authorities. I'm not surprised they came up with an escape plan. They could have used the feeding as a distraction to call the guardians and get rid of us.' ââ¬Å"Crap.' I sighed and pushed my hair back, wishing I had a ponytail holder. ââ¬Å"We should've gotten rid of them when we had the chance. What'll happen now?' Dimitri was silent for a few seconds. ââ¬Å"The Mastranos will be questioned â⬠¦ extensively. Well, all of them will, really. They'll lock Sonya up for investigation, like me, and Sydney will be shipped back to the Alchemists.' ââ¬Å"And what will they do to her?' ââ¬Å"I don't know. But I'm guessing her helping vampire fugitives won't go over well with her superiors.' ââ¬Å"Crap,' I repeated. Everything had fallen apart. ââ¬Å"And what are we going to do?' ââ¬Å"Put some distance between us and those guardians. Hide somewhere. Wrap up your ankle.' I gave him a sidelong look. ââ¬Å"Wow. You've got everything planned out.' ââ¬Å"Not really,' he said, a small frown on his face. ââ¬Å"That's the easy stuff. What happens after that is going to be the hard part.' My heart sank. He was right. Provided the Mastranos weren't indicted by Moroi authorities for helping criminals, Emily now had no one forcing her to acknowledge Jill's heritage. If Sydney was being hauled back to her own peopleââ¬âwell. She couldn't help either. I was going to have to tell someone else, I realized. The next time I made contact with Adrian, I'd have to divulge the truth so that my friends could do something about Jill. We couldn't sit on this secret any longer. Dimitri took the next exit, and I tuned back into the world. ââ¬Å"Hotel?' I asked. ââ¬Å"Not quite,' he said. We were in a busy, commercial area, not far from Ann Arbor, I thought. One of the Detroit suburbs. Restaurants and stores lined the road, and he turned us toward a twenty-four-hour superstore that promised to carry ââ¬Å"everything.' He parked and opened his door. ââ¬Å"Stay here.' ââ¬Å"Butââ¬âââ¬Ë Dimitri looked meaningfully at me, and I glanced down. I'd come away from our fight more scuffed up than I realized, and the dress had torn. My ragged appearance would attract attention, as would my limping. I nodded, and he left. I spent the time turning over our problems, cursing myself for not having found a way to turn in the brothers once Robert had restored Sonya. I'd been bracing myself for betrayal in the form of some magical attack. I hadn't expected something as simple as a call to the guardians. Dimitri, ever the efficient shopper, returned soon with two large bags and something slung over his shoulder. He tossed it all in the backseat, and I peered back curiously. ââ¬Å"What's that?' It was long and cylindrical, covered in canvas. ââ¬Å"A tent.' ââ¬Å"Why are weââ¬âââ¬Ë I groaned. ââ¬Å"No hotel, huh?' ââ¬Å"We'll be harder to find at a campground. The car will especially be harder to find. We can't get rid of it quite yet, not with your foot.' ââ¬Å"Those poor people,' I said. ââ¬Å"I hope their car insurance covers theft.' Back on the freeway, we soon left the urban sprawl, and it wasn't long before we saw advertisements for campgrounds and RV parks. Dimitri pulled over at a place called Peaceful Pines. He negotiated with the man working in the office and produced a number of crisp bills. That was another reason we couldn't get a hotel, I realized. Most required credit cards, and Sydney had had all those (in fake names, of course). We were living off cash now. The clerk gave us directions along a gravel road that led to a spot on the opposite end of the campground. The place was busy with vacationing families, but no one paid much attention to us. Dimitri made sure to park as close to a cluster of trees as possible, in order to obscure the car and its plates. Despite my protests, he wouldn't let me help with the tent. He claimed he could do it faster without me and that I should stay off my feet. I started to argue until he began assembling the tent. My jaw dropped a little as I watched how quickly he put it together. He didn't even need the directions. It had to be some kind of record. The tent was small and sturdy, giving us both room to sit and lie, though he had to hunch just a little when we were sitting. Once inside, I got to see the rest of his purchases. A lot of it was first aid. There was also a flashlight he propped up, a kind of makeshift lamp. ââ¬Å"Let me see the ankle,' he ordered. I stretched out my leg, and he pushed my dress's skirt up to my knee, fingers light against my skin. I shivered as a sense of deja vu swept me. It seemed to be happening to me a lot lately. I thought back to all the times he had helped me with other injuries. We could have been right back in St. Vladimir's gym. He gently tested the ankle's mobility and did a little poking and prodding. His fingers never ceased to amaze me. They could break a man's neck, bandage a wound, and slide sensually across bare skin. ââ¬Å"I don't think it's broken,' he said at last. He lifted his hands, and I noticed how warm I'd been while he touched me. ââ¬Å"Just sprained.' ââ¬Å"That kind of thing happens when you keep jumping off roofs,' I said. Jokes were my old standby to hide discomfort. ââ¬Å"You know, we never practiced that in our training.' He smiled and took out bandaging material, wrapping the ankle until it was supported and stabilized. After that, he producedââ¬â ââ¬Å"A bag of frozen peas?' Dimitri shrugged and rested the bag on my ankle. The coolness instantly made me feel better. ââ¬Å"Easier than buying a full bag of ice.' ââ¬Å"You're pretty resourceful, Belikov. What else do you have stashed away?' The rest of the bags' contents turned out to be blankets and some food. I gave him a big grin when I saw he'd gotten me sour cream potato chips and a bar of chocolate. I loved that he remembered such little details about me. My smile faded when another problem quickly popped up. ââ¬Å"You didn't buy any clothes, did you?' ââ¬Å"Clothes?' he asked, like it was a foreign word. I gestured to my torn dress. ââ¬Å"I can't wear this for long. What am I going to do? Make a toga out of a blanket? You're such a guy, never thinking of this stuff.' ââ¬Å"I was thinking of injury and survival. Fresh clothing's a luxury, not a necessity.' ââ¬Å"Not even your duster?' I asked slyly. Dimitri froze for a moment and then swore. He'd had no need to wear his coat indoors at the Mastranos'ââ¬âhonestly, he didn't need to outside eitherââ¬âand had left it there in the ensuing fight. ââ¬Å"Don't worry, comrade,' I teased. ââ¬Å"Plenty more where that came from.' He spread blankets over the tent's floor and laid back on them. There was a look of woe on his face that was almost comical. Raids, bullets, criminals â⬠¦ no problem. A missing duster? Crisis. ââ¬Å"We'll get you another one,' I said. ââ¬Å"You know, once we find Jill, clear my name, and save the world.' ââ¬Å"Just those things, huh?' he asked, making both of us laugh. But when I stretched myself out beside him, both our faces sobered. ââ¬Å"What are we going to do?' I asked. Tonight's most popular question. ââ¬Å"Sleep,' he said, clicking off the flashlight. ââ¬Å"Tomorrow we'll get a hold of Abe or Tasha or â⬠¦ someone. We'll let them handle it and get Jill where she needs to be.' I was surprised how small my voice sounded when I spoke. ââ¬Å"I feel like we failed. I was so happy back there. I thought we'd done the impossible, but it was for nothing. All this work for nothing.' ââ¬Å"Nothing?' he asked in astonishment. ââ¬Å"What we did â⬠¦ this is huge. You found Lissa's sister. Another Dragomir. I don't think you still really understand the weight of that. We had almost nothing to go on, yet you pushed forward and made it happen.' ââ¬Å"And I lost Victor Dashkov. Again.' ââ¬Å"Well, the thing about him is that he doesn't stay hidden for long. He's one of those people who always has to be in control. He'll have to make a move eventually and when he doesââ¬âwe'll get him.' The smile returned to my lips, though I knew he couldn't see it. ââ¬Å"And I thought I was the optimistic one here.' ââ¬Å"It's contagious,' he replied. Then, to my surprise, his hand found mine in the dark. He laced our fingers together. ââ¬Å"You did good, Roza. Very good. Now sleep.' We touched in no other way, but his hand held all the warmth in the world. This was hardly a perfect moment, like in the library, but our familiar connection and the understanding between us burned brighter than ever, and it felt good. Right. Natural. I didn't want to sleep. I just wanted to stay there and savor being with him. It wasn't cheating, I decided, thinking of Adrian. It was just enjoying this closeness. Still, sleep was essential. We worked out a schedule where each of us took shifts. He would stay awake now while I rested, and I had a feeling if I didn't sleep, he wouldn't either when the shift change came. I closed my eyes, and it wasn't my heart I had to slow down this time. It was my mind, the hamster wheel that went nowhere trying to figure out what to do next. Just get Jill to Court. Just get Jill to Court. That was all that mattered. We'd contact someone who could reach Jill. Dimitri and I would lie low, everything would soon fix itselfâ⬠¦. ââ¬Å"Thank God.' I spun around, not even realizing I'd fallen into a spirit dream. I was back in Sonya's garden with all its sunshine and color, and she sat back in a chair, looking expectant. ââ¬Å"I was afraid you'd be up all night, watching your back,' she continued. ââ¬Å"I would if I had my choice,' I replied, strolling over to her. She wasn't quite whom I'd expected to see in my dreams, but at least I'd made contact with the outside world. I wore the black-and-white dress here, but unlike reality, it was clean and intact. ââ¬Å"Dimitri thinks we're in a secure locationââ¬âthough he's awake, of course.' ââ¬Å"Of course.' There was a glimmer of amusement in her eyes, but it was brief. ââ¬Å"Where are you?' I asked. ââ¬Å"Did the guardians put you in holding?' ââ¬Å"They didn't get me,' she said smugly. ââ¬Å"You were their priority, and a little compulsion made sure they didn't see me. I took off â⬠¦ I hated to leave Emily, though.' I empathized but was too excited at Sonya's escape. Good news, finally. ââ¬Å"But you can get Jill to Court. You're free.' Sonya looked at me as those I'd just spoken French. ââ¬Å"I can't get to Jill.' I frowned. ââ¬Å"Is she under that much security?' ââ¬Å"Rose,' said Sonya. ââ¬Å"Jill isn't with the guardians at all. Victor and Robert took her.'
ââ¬ÅPiano Lessonââ¬Â Analysis Essay
A title of a shit is cautiously chosen to not only castigate interest unless also to bounce some sort of clue as to the signifi flush toiletce of the work. In the case of magisterial Wilsons The Piano Lesson, the title, though a revive on words, reveals how important the softly is to the message Wilson is trying to convey. The diffuse, as an object, moves the diagram of the take on along since the conflict is the cardinal primary(prenominal) oddballs fighting over it. On the other hand, the piano, as a symbol, represents the industry of history in an individuals lives. Its posture and symbolism work hand in hand to eliminate the lesson that family history remains with a soulfulness and its their responsibility to decide how to utilization it.Looking at the different characters and their views on the piano provides grounds of this message. The play begins with son Willie barging into the hearthstone w here(predicate) his sister, Berniece, lives with his uncle, Doak er. boy Willies purpose for universe in that respect is to make out the piano that Berniece keeps so that he heap buy the land from his congeners former slave receiveers. He knows the importance of the piano just now views it as an object and a means for achieving his own success so that he can prove that he deserves as a lot respect as the white humanity. He says, The only thing my papa had to hold back me was that pianoI aint gonna let it sit up here and rot without trying to do something with it (1.2).In his mind, keeping his familys legacy isnt with conceiveing them through the piano scarcely employ the piano as a means of making money, which to him will watch over them in the long run. He reassures his sister, Im supposed to build on what they left menow the kind of man my daddy was he would have unsounded that (1.2).He does acknowledge though that the a way of life is something to be proud of. He lectures Berniece, You ought to coiffure down on the calend ar the daylight that Papa son Charles brought that piano into the houseand every year when it come up throw a get off the groundy. Have a celebration. If you did that Maretha wouldnt have no business in life (2.5).Boy Willies sister, Berniece, takes an entirely different approach when it comes to her plectrum of how the piano is used. Berniece is a character that lives in the chivalric in an unhealthy way. The foregone has hardened her and it shows in the way she raises her child, Maretha, grave her not to go off demonstrate her color (1.1).When Doaker comments on Berniece keeping the retrospect of her deceased husband saying, she still place ontoto him (1.2) is further evidence of her clinging to the early(prenominal) but not using those memories in a productive manner. Unlike Willie, she views the piano as a symbol of her familys heritage but fears it. She scolds Boy Willie for trying to sell it when she says, You always talking about your daddy but you aint neer stop ped to look at what his fury cost your mamacold nights and an set down bedFor a piano? To return even with somebody? (1.2).She shows her resentment to the past by refusing to play the piano and refusing to tell her daughter of its history. Berniece is also mysophobic of the piano be birth of those who died because of it. Her mother died honoring it and her bring died trying to get it. She explains to her suitor, Avery, I have ont play that piano cause I dont indispensability to wake them spirits (2.2). She faces that fear when Boy Willie comes to the house bringing a touching with him however, the ghost isnt their perfectly relatives but Sutters. The presence of the ghost forces Berniece to face the past and Boy Willie to acknowledge that the past matters just as much as the future. The play concludes when Avery, who is a preacher, comes to the house to get unblock of the ghost. The ghost protests and fights with Boy Willie. It is then that Berniece plays the piano to call on the spirits of her dead relatives singing, I want you to help me (2.2). By doing this she rooks the lesson that the past isnt there to effect her but to give her strength for the future. Boy Willie also learns the lesson that the past is alive and that using it doesnt have to be materialistic. It can simply be used to remember who you are.The lesson that the two characters learn is Wilsons way of communicating to the audience how important family legacy is. The characters growth in harm of their views on the piano parade how easily one can stick out sight of what is important in terms of existence a person. Boy Willie thinks being somebody is materialistic while Berniece hides from being somebody at all. Though the main characters take a big part of the play the pianos reoccurring presence and symbolism is the central focus of the play since it is through it that the conflict comes together, through it that the characters learn their lessons, and through it that family his tory is brought to life.
Wednesday, July 17, 2019
Distinctive Voices Essay
Through the use of techniques, writers be evidently able to take a astray range of sourceistic vowelises and bring great deal and their experiences to life. When classifiable vocalizations are created, it helps the reader to understand and perhaps level(p) relate to the character of the text. The use of distinctive pieces ensures pot to be created and their experiences to be brought to life. The Life and Crimes of vex lilac, write by Marele solar day, is strategicall(a)y able to create distinctive interpreters and experiences by dint ofout the unfermented by incorporating a variety of characters including Claudia Valentine, a female investigator in big city Sydney, Australia, and bother lavender, the opposer of the novel and the boss of Sydneys underworld. sidereal days square and clever use of techniques, effectively create a range of significant, distinctive sections. In contrast, Weapons Training by Bruce Dawe is able to create a precise sacrosanct, distin ctive voice that brings to life the character of a strong-minded, female genitals drill sergeant-at-law, as he delivers a soliloquy to all the young new recruits. Both texts crap utilize a deliberate choice of techniques, and creative activity of the distinctive voices within the texts.Claudia Valentine is the main character of Marele Days hard boiled crime manufacturing novel The Life and Crimes of Harry Lavender. Claudias character is quite significant as at that place are very few detective novels written and published that have a female cloak-and-dagger investigator as the main character. For the entirety of the novel, the room is set in first person story voice. This indicates the reader with be seeing the events through and through the characters look and hearing almost them through her distinctive voice. Through the setting of Sydney and visual images much(prenominal) as the empty bottle of whisky, ashtrays of cigarettes, the naked get bulb and the blond in the bed, Day establishes a racy, contemporary urban city scene with the pessimistic and derisive voice of the narrator to be our guide. throughout the opening scene, we are ignorant of the narrators sex and name. This is designedly do to play with the responders assumptions in response to sexuality stereotypes and to build the tough, determined and witty voice of Claudia Valentine.Claudias voice changes throughout the novel. The opening passing game establishes Claudias voice as world that of a regular(prenominal) private investigator. This is to aid to the crime fiction music genre idea. This anchors the readers perception of the character as unwaveringlyly part of the crime fiction genre. Her stair is formal when speaking in a passe-partout capacity, for example, when speaking to the Levack family Ill come straight to the signal Mrs Levack. Im investigating the death of grad Bannister , who lived over there in that flat.. This formal, straight-forward and firm voice is Clau dias public voice. However, behind the strong private investigator wall she holds up, Claudia has a very private voice which is hardly exposed to anyone notwithstanding herself. We see this change in voice when she is with Steve Angell.Her actors line changes and softens somewhat in her interactions with Steve. She comments throughout the text The b right-hand(a)est matter about the day was that Steve had dropped into it. Claudias private voice also has a hint of seductiveness when she is communicating with Steve He was stunning. As tall as me, if not taller, with eyes like the pools you find beneath waterfalls. It was all I could do to stop myself taking off all my clothes and diving in.. Claudias private voice also reveals a lot of love, worry and adhesiveness to her two children her live with her ex-husband Gary. This is revealed through a phone call Claudia makes to Gary after she fears for her childrens preventative To hear their voices, to know my flesh and blood was safe . My babies..In Days novel, another character with a distinctive voice is revealed, however this distinctive voice is much different to the voice of Claudia. Harry Lavender, the antagonist of the novel, is the boss of Sydneys crime underworld. Harrys voice is distinctive in the poetic gradation of the expression apply. The use of imagery and metonymical spoken language allows the reader to perceive Lavender as being a sophisticated and powerful character The people hold sprigs of lavender, like rosemary on Anzac day.. Harry Lavenders voice is powerful and evocative, as he describes how he entrust beremembered when he dies, and how he has higher power over jurisprudence and authority police allow me safe passage. Even though Harry is dying, his organic structure decaying, in the same way he has brought about the lesson decay of the city, his voice is still ominous and commanding.Harry is a powerful man who has built his fame on an empire of corruption. He is used to being in work and ironically, we see Lavender unable to control the most important aspect of his life, his own body. Day uses various techniques in this passage to convey the voice of the crime boss, Harry Lavender. Day uses poetic and figurative language such as It is my image that is reflected in that glass. Day also uses metaphor in It is my body crumbling, not the city. to describe the way that the cancer is overpowering and destroying Lavenders body. Consecutive, short, and simple sentences are used to construct Lavenders voice. And finally, repetition is used in the final line to reinforce Lavenders command over the city and his square up in this place They will remember me, oh yes, they will remember..In contrast, related text Weapons Training by Bruce Dawe is able to bring a drill sergeant to life as well as his other(prenominal) experience through a distinctive voice. Dawes poem opens in the middle of a sentence, in the middle of the drill sergeants monologue. This thingumabo b captures our attention and gives a sense of immediacy of being on the spot. This is effective as we are not just being told about the sergeant, we can in reality hear him. The sergeant questions the young soldiers but doesnt wait for answers. He talks so closely that recruits can hardly take in permit alone think about it. This is effective as the soldiers and the readers have to learn to react reflexively.The thinking is done for the readers/soldiers and they have to absorb what is said without thinking about it and do what they are told. The drill sergeant speaks in a fairly broad Australian idiom, using the language and clichd humour of the average Australian. roughly of the conversationalisms used, such as youve copped the bloody lot or worse luck are specifically Australian. The spectacular quality used also helps to create a distinctive voice within the poem. He is the distinctive bullying, sarcastic drill sergeant, so its wakeful for us to vividly imagine him and his voice. His language is colloquial are you a queer?, thats right grab and check/the magazine man . His language is also full of clichs includingsexual references your faithful weapon, a mob of little yellows. Dawes techniques rear a very distinctive and strong voice for the poem.Through a strong use of techniques including Australian idiom, colloquialism and tone, both Marele Day and Bruce Dawe are effectively able to bring people and their experiences to life through distinctive voice.
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