History - The Palaeolithic Period, Barbarians, Stonehenge Assignment

History - The Palaeolithic Period, Barbarians, Stonehenge - Assignment ExampleThe only machination we can see from this period are the pieces that stood the test of time to survive, according to the author, art has to encounter a) been do of metal or stone b) needs to have a climate that is not destructive to the work of art c) had to exist in a relatively complex society and d) had to have been produced bya society with a tendency to cache their art in places that are hard to access (352). The Palaeolithic cave paintings of France meet a few of these requirements they are made on a stone surface, so will not degrade, are in caves, which provide protection from both the elements and people who may destroy the work. The Neolithic Stonehenge is made of stone, and had a complex enough society to create monumental architecture, both of which helped it survive. Works of every-day material such as wood are unlikely to survive, which eliminates our capacity to understand the small sc ale art that every day people made in their spare time, and probably increases the quality of art that we know of. dubiety 2 Seeking to protect the empire from the ravishing of barbarian hordes, as well as allow for a change in focus and organized religion in the Roman Empire, the Emperor Constantine moved the capital of the Empire from Rome to the city of Constantinople, which was constructed purely for this purpose (378). This shift coincided with an edict allowing Christianity to be freely well(p) in the Roman empire, which later would be followed by edicts making Christianity the sole religion of the Roman Empire. To better aid management of this massive empire, it was split into twain different ones, the Western, based in Rome, and the Eastern, based in Constantinople, which would have immense affects on art and culture. The two empires grew culturally distinct, with the east speaking Greek kinda of Latin, and sacred divisions followed, creating the Roman Catholic and Gree k Orthodox religious respectively. Art in the Western Half tended to follow traditionally Roman precedents, like St. roosters basilica which is styled after a Roman forum, whereas art in the East developed a novel Greek style. As the western half(prenominal) of the empire fell, the art in that region was predominated by the Northern Germanic animal style, which eventually combined with Christianity to inform Carolingian art, named after Charlemagne, one of the roughly famous Frankish kings (385). Following this style of art, Romanesque art developed, which was a conscious look back on and imitation of older Roman forms. This form was followed by Gothic, which featured a number of architectural advancements (such as thinner walls and flying buttresses) which allowed for the building of light, airy buildings without thick walls and substantial pillaring, as demonstrated by Notre fowl de Paris (389). Question Three Cultures use monumental art as a way of expressing their power, the ir religion and the will of their people. When comparing Stonehenge with the Colloseum, it becomes apparent that though these works differ significantly in artistic principles and primary purpose, they both fulfill the same roles as works of monumental architecture. Stonehenge was created in the Neolithic period by a pagan people who probably cared deeply about the passing of the stars. It works as a form of monumental calendar, and probably had significant religious intent (354). It consists of a series of state lines, arranged in concentric circles